Category: Blog posts

Last weekend was one of the most intense ones I’ve had so far this year. Two days; two different concerts; two different roles – one incredibly tired, but also very happy, me. Throughout the 2022–2023 season, I have been working on a project for Föreningen Nymus – a local, Härnösand-based music association – arranging performances and/or… Continue reading The Big Payoff

I have the great pleasure of getting to perform twice this summer (at least!), both times in late July. It is hard to rate the two concerts, as they are very different, but nevertheless I particularly look forward to premiering a brand new composition together with the lovely bassoonist extraordinaire, Sebastian Stevensson. Long-time readers of… Continue reading Be Transformed

Two different events this past weekend caused a similar reaction in me, for similar reasons, but the situations themselves were quite different. What happened? This past Sunday, my good friend Per who works as an organist in Härnösand Cathedral performed two great 20th century organ works: L’Ascension by Olivier Messiaen and Prélude, Adagio et Choral… Continue reading Different Kinds of Play

The other day, I stumbled on a quote by composer Alfred Schnittke which I sympathised with quite a bit. It is important to try and avoid projecting yourself onto someone else without a deeper understanding of who that other person was (or is), but in meditating on that quote, I felt I came a little… Continue reading Better Safe than Sorry

I’ve had the pleasure of working with the Härnösand Cathedral Choir since January as their temporary leader. I have assisted their principal leader off and on over the past couple of years as a substitute conductor, but this meant being able to work continuously with the choir over an entire semester. The ”grand finale” of… Continue reading Growing Together

The other day, I stumbled upon a twentieth-century composer whom I had never heard of before: the Austrian pianist and composer Friedrich Gulda, who made a name for himself in both the classical and jazz worlds, respectively. I happened on Friedrich Gulda by way of the French virtuoso cellist Edgar Moreau, who recorded Gulda’s Concerto… Continue reading All That Glitters Is Not Gulda

While I wouldn’t go for all-out blasphemy and compare my blog with a certain important religious leader, it is an interesting coincidence that I would publish my first blog post in over three months on Easter Monday… There are a few different reasons behind my extended absence from this blog, but the main one is… Continue reading A Timely Resurrection

Looking back on the past year, I feel like I have grown even more determined in wanting to compose music that is true to my own musical ideals – my own “voice”, if you would. Another direction would be to try to adapt my musical style, in order to appeal to or gain rank among… Continue reading New Year’s Dissolutions

The so-called parody mass is quite an interesting concept. It developed and blossomed in European sacred music in the 16th century by way of prominent composers like Josquin des Prez and Giovanni Pierluigi da Palestrina. Parody technique was one of several different compositional techniques used for mass compositions during the Renaissance. A similar but different… Continue reading Jauchzet, frohlocket!

Ever since grade school, Lucia has been one of my favourite feasts of the year. To an outsider, a chorus of children (and/or adults) in long, white gowns holding white candles and singing together might seem more than slightly peculiar. Particularly so starting at around 6 am in the morning. Strange or not, for me… Continue reading Paint a Door on the Wall